From Andrei Tarkovsky's The Sacrifice (1986)
"In the spring we made a boat
Out of feathers, out of bones.
We set fire to our homes,
Walking barefoot in the snow."
-from Of Monsters and Men's "Your Bones"
Saturday, July 21, 2012
Wednesday, July 11, 2012
Sunday, July 8, 2012
Saturday, July 7, 2012
"The Sacrifice" Art by Michał Karcz
Keeping up the Tarkovsky theme with a stunning piece of art inspired by The Sacrifice by graphic designer and artist Michał Karcz - perfect for your desktop!
Full desktop wallpaper source here.
Tuesday, July 3, 2012
Monday, July 2, 2012
Heroes of Idiosyncratic Non-Fiction
Hello all. Today, I want to share three episodes of a podcast that I listen to fairly regularly: Colin Marshall's Notebook on Cities and Culture, formerly The Marketplace of Ideas. I love this podcast for many reasons, mainly the fascinating range of guests Colin sits down with, the deeply intelligent questions he asks them, and the winding conversations that spring from them.
Three interviews in particular have been getting regular play on my iPod over the past few months, one being with Geoff Dyer; the other two with Pico Iyer. Geoff Dyer is known for writing books on a variety of subjects, among them Andrei Tarkovsky (Zona: A Book About a Film About a Journey to a Room), D.H. Lawrence (Out of Sheer Rage: Wrestling with D.H. Lawrence), jazz (But Beautiful: A Book About Jazz), and more. But what I love about him is how he approaches such subjects from a personal, level-headed, often funny perspective that specifically avoids stuffy academic over-analysis, opting for a highly relatable and open form of cultural commentary.
Pico Iyer, author of books like Video Night in Kathmandu and Other Reports From the Not-So-Far East, The Lady and the Monk: Four Seasons in Kyoto, and The Global Soul: Jet Lag, Shopping Malls, and the Search for Home, has a more specific area of interest in his writing (travel and world cultures), but like Dyer, he also pulls readers along on unpredictable journeys of ideas, thoughts and observations. His points on the ever-intensifying dialogue between cultures are among the most insightful I've ever come across.
Being committed to a large-scale writing project of my own at the moment, which I hope to make good progress on during this summer and, with luck, I'll be able to talk more about before too long, it is extremely inspiring to read and learn about writers like Dyer and Iyer, who are guided by their own passions, interests, and personal experiences over any other factors, and who make a point of incorporating these very personal components into their non-fiction work. Listening to them discuss such things is just as rewarding, and whether you're a writer or not, the interviews gathered below will surely charge your imagination and get you thinking about how we look at culture, art, and travel. Happy listening!
*Note: Notebook on Cities and Culture is also available on iTunes.
Sunday, July 1, 2012
Sunday, June 24, 2012
Kaurismäki Mania!
On July 31st, the Criterion Collection will be releasing on Blu-ray and DVD Le Havre, Aki Kaurismäki's delightful French fairy tale from last year. I can't wait.
-Here is a wonderful interview that Simon Hattenstone conducted with the dour, funny Finn in London's Soho House.
-And finally, here is Kaurismäki paying tribute to one of his artistic heroes, the great Yasujiro Ozu:
-Here is a wonderful interview that Simon Hattenstone conducted with the dour, funny Finn in London's Soho House.
-And finally, here is Kaurismäki paying tribute to one of his artistic heroes, the great Yasujiro Ozu:
Thursday, June 21, 2012
Wednesday, June 13, 2012
Tuesday, June 12, 2012
Fresh Goodies from Joe
A little over two years ago, I was quite thrilled when one of my favorite contemporary filmmakers, Apichatpong Weerasethakul, was awarded the Palme d'Or at Cannes for his marvelous Uncle Boonmee Who Can Recall His Past Lives. During this year's festival in the sunny south of France, I was likely not alone in my joy at hearing of the Thai filmmaker's newest projects. Apichatpong is known for being a fairly productive artist; aside from the six feature film projects to his name, he has also created a large number of short films and installation pieces, testing his unique, experimental sensibilities in various ways. The recent news of his two latest short films come as a welcome assurance that he will be continuing to maintain his productive, curious work methods even with a Palme d'Or on his shelf.
-The first of the two films that were screened at Cannes is Mekong Hotel, which clocks in at a little over an hour. Daniel Kasman wrote about the film over at MUBI Notebook in an enticing piece.
-The other film, Ashes, can actually be viewed for free online. Jittery and primitive in its visual quality, it was created with the LomoKino camera as part of a collaboration between Apichatpong, LomoKino and MUBI. Disorienting and beautiful.
-Also over at the Notebook is a wonderful interview with Apichatpong by Kasman about these new pieces and his work methods.
-The first of the two films that were screened at Cannes is Mekong Hotel, which clocks in at a little over an hour. Daniel Kasman wrote about the film over at MUBI Notebook in an enticing piece.
-The other film, Ashes, can actually be viewed for free online. Jittery and primitive in its visual quality, it was created with the LomoKino camera as part of a collaboration between Apichatpong, LomoKino and MUBI. Disorienting and beautiful.
-Also over at the Notebook is a wonderful interview with Apichatpong by Kasman about these new pieces and his work methods.
| A jungle straight out of Apichatpong's cinema...in Northern Ontario. |
Friday, June 8, 2012
"I discovered ME in the library."
Hello all. To kick off a return to the habit of posting links to cool stuff here again, here is a fascinating Paris Review interview with beloved science fiction writer Ray Bradbury, who passed away this past Tuesday at the age of 91. Conducted by Sam Weller, the interview completed a previously unpublished interview conducted by William Plummer in the late 1970s. It's wonderful stuff, especially if you're at all interested in the crafts of storytelling and writing. Enjoy.
The Paris Review: Ray Bradbury, The Art of Fiction No. 203
The Paris Review: Ray Bradbury, The Art of Fiction No. 203
Labels:
interviews,
Ray Bradbury,
The Paris Review,
writing
Wednesday, June 6, 2012
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