Early 2013 Activity: Rotterdam, Picks of 2012, RIP Donald Richie, Shinsedai

Hello all. I come to you today with a gathering of pieces, most of which I wrote, that have been recently posted:

· My report on the 42nd International Film Festival Rotterdam, which I attended in January and February, has just been posted in Senses of Cinema's 66th issue. In it, I talk about a healthy portion of the films I saw, from The Master, Stoker, and the Kaurismäki-Costa-Erice-de Oliveira-directed omnibus film Centro Histórico to such pleasant surprises as Manuela Morgaine's Foudre, Carlos Lechuga's Melaza, Alex Pitstra's Die Welt, Sebastián Hofmann's Halley, and Anand Gandhi's Ship of Theseus.

Sebastián Hofmann's Halley

Anand Gandhi's Ship of Theseus

Aki Kaurismäki's segment from Centro Histórico

· I was kindly invited to join a few of my other colleagues in Japanese cinema studies, including Chris MaGee and Julian Ross, in sharing my thoughts on the passing of Donald Richie, who was truly legendary for his contributions to writing on Japanese film and culture. Click here to view the group obit.

· The 2013 edition of the Shinsedai Cinema Festival, which has been showcasing independent Japanese films in Toronto every summer for the past four years, and which I have been personally involved with for just as long, has been officially cancelled due to a shortage of funds and sponsors. Read the announcement from Chris, the festival director, here.

· Finally, at both Senses of Cinema and Midnight Eye, I listed and wrote about my favourite films of 2012.

Thanks for reading - and happy first day of spring!

November / December 2012 Activity

Hello all. In this post, I thought I'd bring you up to date on my recent goings-on in film writing. Firstly, a few months ago I announced the start of a new column over at Row Three called Cinephilia Française that, I'll freely admit, has recently been somewhat dormant. This is due to a few things, namely my family's move away from the Greater Toronto Area and the emergence of some new writing projects. Right now, between those new projects, related travel plans for 2013, and a readjustment of a few personal goals of mine for the new year, I'm thinking that French film column may continue to remain dormant - sorry if I got anyone's hopes up. I'll still certainly be writing about and maintaining my interest in French cinema; just not in the form of that weekly column.

Now, as for what I have been up to recently:

· Issue 65 of Senses of Cinema is now online. Among the impressive selection of fresh pieces on filmmakers like Michael Haneke, Marcel Hanoun, Nicolas Rey, James Gray, and the late Koji Wakamatsu, there is my essay on one of my favourite films, Ingmar Bergman's Fanny and Alexander, written in honor of its thirtieth anniversary (it was first released theatrically in Sweden on December 17th, 1982). Now's probably the best time of the year to revisit this fantastic masterpiece (which boasts one of the best Christmas sequences ever filmed) - I know I'll be re-watching it within the week.

· Over at my friend David Davidson's blog Toronto Film Review, I talk about the film books I read this past year, including James Quandt's impressive Robert Bresson (Revised).

· At Row Three, I posted my dream triple bill of European arthouse classics dedicated to the Nazi Occupation of Italy and France.

· Finally, I've been busy tending to some other business for Senses of Cinema: come January and February, I will be traveling to the Netherlands to cover for them the 42nd International Film Festival Rotterdam. I'm pretty excited about both the opportunity to travel to the Netherlands for the first time and the festival itself, which has a great reputation. Stay tuned for my report after the festival, which should be included in the journal's first issue of the new year.

Until then, cheers and happy holidays!