Showing posts with label film books. Show all posts
Showing posts with label film books. Show all posts
Monday, December 24, 2012
Marc's Reads of 2012
Hello all. In this most recent post, I wanted to list the books I read throughout 2012. While I attempted to fulfill my personal "50 Book Pledge," I sadly still came up woefully short at just twenty-four - an improvement over 2011's seventeen, but I still could have picked up the pace a bit with my reading habits. Still, the past year in books was a very enjoyable one for me, as I kept hitting one satisfying volume after the next (I love it when you hit a chain of good reads like that) - overall, a fantastic selection of talented authors and compelling subjects.
Since so many of my reading experiences this year were positive ones, I thought I'd present them here not in any ordered list, but instead in special categories that both compliment the books themselves and illuminate some of the thematic and stylistic similarities certain books shared with each other.
So, without further ado...
Peering Across History and Lifetimes
· The Bad Girl by Mario Vargas Llosa
· Fire in the Blood by Irène Némirovsky
· Touch by Alexi Zentner
· The Thousand Autumns of Jacob de Zoet by David Mitchell
Worthwhile Rereads
· A Moveable Feast by Ernest Hemingway
· A Clockwork Orange by Anthony Burgess
The Film Books
· Zona: A Book About a Film About a Journey to a Room by Geoff Dyer
· Robert Bresson (Revised) edited by James Quandt
· Olivier Assayas edited by Kent Jones
*For a more detailed write-up on these film books, head over to my guest post at Toronto Film Review.
Most Disappointing Film Book
· Jean Renoir: Projections of Paradise by Ronald Bergan
Japanese Literature
· Spring Snow by Yukio Mishima
· 1Q84 by Haruki Murakami (read my capsule review at bookshelf.ca)
Existential Literature
· Point Omega by Don DeLillo
Wanderlust
· The Art of Travel by Alain de Botton
· The Global Soul: Jet Lag, Shopping Malls, and the Search for Home by Pico Iyer
D.H. Lawrence 101
· Out of Sheer Rage by Geoff Dyer
· Lady Chatterley's Lover by D.H. Lawrence
Literary Paris
· The Emperor of Paris by C.S. Richardson
· The Belly of Paris by Emile Zola
Ecstatic Wordcraft
· Chronic City by Jonathan Lethem
· Lisey's Story by Stephen King
· Telegraph Avenue by Michael Chabon (read my capsule review at bookshelf.ca)
Most Life-Affirming
· Looking for Alaska by John Green
· The Fault in Our Stars by John Green
Tuesday, December 18, 2012
November / December 2012 Activity
Hello all. In this post, I thought I'd bring you up to date on my recent goings-on in film writing. Firstly, a few months ago I announced the start of a new column over at Row Three called Cinephilia Française that, I'll freely admit, has recently been somewhat dormant. This is due to a few things, namely my family's move away from the Greater Toronto Area and the emergence of some new writing projects. Right now, between those new projects, related travel plans for 2013, and a readjustment of a few personal goals of mine for the new year, I'm thinking that French film column may continue to remain dormant - sorry if I got anyone's hopes up. I'll still certainly be writing about and maintaining my interest in French cinema; just not in the form of that weekly column.
Now, as for what I have been up to recently:
· Issue 65 of Senses of Cinema is now online. Among the impressive selection of fresh pieces on filmmakers like Michael Haneke, Marcel Hanoun, Nicolas Rey, James Gray, and the late Koji Wakamatsu, there is my essay on one of my favourite films, Ingmar Bergman's Fanny and Alexander, written in honor of its thirtieth anniversary (it was first released theatrically in Sweden on December 17th, 1982). Now's probably the best time of the year to revisit this fantastic masterpiece (which boasts one of the best Christmas sequences ever filmed) - I know I'll be re-watching it within the week.
· Over at my friend David Davidson's blog Toronto Film Review, I talk about the film books I read this past year, including James Quandt's impressive Robert Bresson (Revised).
· At Row Three, I posted my dream triple bill of European arthouse classics dedicated to the Nazi Occupation of Italy and France.
· Finally, I've been busy tending to some other business for Senses of Cinema: come January and February, I will be traveling to the Netherlands to cover for them the 42nd International Film Festival Rotterdam. I'm pretty excited about both the opportunity to travel to the Netherlands for the first time and the festival itself, which has a great reputation. Stay tuned for my report after the festival, which should be included in the journal's first issue of the new year.
Until then, cheers and happy holidays!
Now, as for what I have been up to recently:
· Issue 65 of Senses of Cinema is now online. Among the impressive selection of fresh pieces on filmmakers like Michael Haneke, Marcel Hanoun, Nicolas Rey, James Gray, and the late Koji Wakamatsu, there is my essay on one of my favourite films, Ingmar Bergman's Fanny and Alexander, written in honor of its thirtieth anniversary (it was first released theatrically in Sweden on December 17th, 1982). Now's probably the best time of the year to revisit this fantastic masterpiece (which boasts one of the best Christmas sequences ever filmed) - I know I'll be re-watching it within the week.
· Over at my friend David Davidson's blog Toronto Film Review, I talk about the film books I read this past year, including James Quandt's impressive Robert Bresson (Revised).
· At Row Three, I posted my dream triple bill of European arthouse classics dedicated to the Nazi Occupation of Italy and France.
· Finally, I've been busy tending to some other business for Senses of Cinema: come January and February, I will be traveling to the Netherlands to cover for them the 42nd International Film Festival Rotterdam. I'm pretty excited about both the opportunity to travel to the Netherlands for the first time and the festival itself, which has a great reputation. Stay tuned for my report after the festival, which should be included in the journal's first issue of the new year.
Until then, cheers and happy holidays!
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